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One of the all-time classic Category III hits, mixing sex, torture and morality against a historical backdrop Review The Forbidden Legend: Sex and Chopsticks 2. A historical defense of Hong Kong Cinema's Category 3 exploitation films from the late-1980s to mid-1990s. This video conforms to fair use and is (drunken) educational commentary on Hong Kong Cinema's history. Directed by Calum Waddell. With Daniel Yee Heng Chan, Kwok-Leung Gan, Godfrey Ho, Josie Ho. The rise and fall of Hong Kong's notorious Category III cinema which reached a peak during the years 1988 and the lead-up to the Handover in 1997. In 1992, a film production studio hired Michael for HK$80,000 to do a movie, and it was only until after signing the contract and starting the film when Michael realized that he was doing a Category III film. The movie Aiya, Girlfriend is Michael’s first Category III film. In the movie, he and actress Chan Wing-chi (陳穎芝) had a bold sex.
Wong Jing is one of Hong Kong’s most prolific filmmakers. Most of his films were among the biggest box office hits. Of course many beautiful actresses also came into prominence with his movies’ success. Those actresses acting as heroine in his movies are often called “Jing’s Lady”. Now below is a list of the beautiful Jing’s Ladies and their movies.
1. Natalie Meng Yao 孟瑶
Meng Yao (or Natalie Meng), born in 1985, is a hot Jing Lady in recent years, She won her fame in Wong Jing’s 2005 movie Yin Shi and then acted in more Wong’s movies such as My Wife Is A Gambling Maestro (2008), Beauty and The 7 Beasts (2007) and I Corrupt All Cops (2009). She is dubbed as “Chinese version of Marilyn Monroe.”
2. Loletta Lee 李丽珍
Rachel Lee (or Loletta Lee), born in 1966, is a Hong Kong actress. She is famous for her angelic face and warm smile. She became famous for starring in Wong Jing`s Category III films such as Crazy Love (1985), Spirit of Love (1993), Girls Unbutton(1994) and Sex and Zen 2(1996).
3. Chingmy Yau 邱淑贞
Chingmy Yau Suk-zing, born in 1968, was one of the leading actresses during the late 1980s and early 1990s. She acted in Wong Jing’s Category III films Naked Killer (1992). She is so hot, sexy and dangerous femme fatale in this non-stop action.
4 Yvonne Yung 翁虹
Yvonne Yung Hung (born in 1968) started her career as model and dancer, yet she was best known for her excellent performances in Wong Jing’s Category III films A Chinese Torture Chamber Story (1994) and Ancient Chinese Whorehouse (1994).
5. Athena Chu 朱茵
Athena Chu (born in 1971) is a famous Hong Kong actress. She starred in Raped by an Angel 2: The Uniform Fan (1998) with scenario by Wong Jing.
6. Kelly Lin 林熙蕾
Kelly Lin was born in Taiwan in 1972. Sexy Kelly was discovered by Wong Jing and came to Hong Kong to shoot Wong’s movies such as The Conmen in Vegas (1998), The Tricky Master (2000) and Raped by an Angel 5 (2000).
7. Shu Qi 舒淇
Shu Qi was born in 1976. She starred in some Wong’sCategory III films Wong including Sex & Zen II and Red Light District. She is the most successful actress who later transferred from a Category III films actress to a mainstream film actress.
8. Maggie Q
Maggie Q is an American Chinese actress. In 2002 she starred as martial artist assassin in the action film Naked Weapon written by film producer Wong Jing.
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9. Teresa Mak Ka-Kei 麦家琪
Born in 1975, Mak Ka-Kei is popular film actress starring in a variety of Category III films. Her most famous movie is To Seduce an Enemy with Wong as the movie producer.
10. Pinky Cheung 张文慈
Born in 1972, Pinky Cheung is a Hong Kong actress. She acted in Wong’s Category III film Raped by an Angel 5: The Final Judgment in 2000.
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Ever since the 70s, Hong Kong cinema has attracted an enthusiastic following in the west; think of the martial arts productions of Shaw Brothers, or the action, fantasy and horror films of John Woo, Tsui Hark and Ringo Lam. But from 1988 onwards, another, less reputable type of film created a stir in the then-British colony: exploitation films awash with outrageous quantities of sex, violence and amorality. Sensational, explicit, politically incorrect and raising a middle finger to the very idea of good taste, these films were slapped with a Category III rating. Rather than deterring the public, however, this label quickly became the guarantee of a certain type of taboo-busting spectacle that thrilled audiences across Asia while remaining largely unknown in the west. Now, with an unfiltered selection of eight titles, Offscreen takes you back to the glory days of Category III, with a documentary and conference to provide social, historical and cultural context.